After ‘Mugal-e-Azam’ common man had the liberty to use anarchic-posture, tyrannical-gesture and the rough voice of Prithavi Raj Kapoor for his daily routine work.
‘Sholay’ made expression of thoughts, feelings and attitude easier for cool and daring guys. Tossing a coin for anything qualified for the best-cool-guy-act who is not bothered about the end results.
‘Deewar’ and ‘Zanzeer’ added more expressions to the arsenal of those who can clearly differentiate between the goods and bad for society and country.
‘Munnabhai’, ‘Khiladi’ and ‘….No. 1’ made cheerful and fun loving guys more visible in our societies.
Now if we talk about Hindi movies dialogues, the first one that comes to our mind is ‘Kitney aadmi the…’ It’s definitely the biggest gem produced by our cinema but the dark side is that it has over shadowed many other perfectly written masterpieces which we couldn’t memorize because of striking simplicity of ‘Kitney aadmi the…’ and ‘Ab tera kya hoga kaaliya…’ Below is the list of those unsung dialogues which I could manage to recall…
Kuch hulke-phulke:
बेटा तुम कुछ लोगे कि मैं दूँ!
Akshay in khakee, pouring out his frustration on being getting disturbed.
मुझे एक फाइट मरने दे रे राजू....एक फाइट मरने दे!
Babu-bhaiya taking revenge in Hera-Pheri
कोई चिनी सी भी आवाज़ नही करेगा...समझ गये!
जो बोले सोनिहाल.....सत्श्री-अकाल...शिससस्स
Om Puri playing the sardar in Hera-Pheri.....I luv this one.
कबीरा स्पीकिंग...
although it could not match gabbar, mogambo or Lion but it has it's own genre
आपको कोई गाना सुनाई दिया?...तू साइन कर रे बाबा...तू साइन कर!
haha...ultimate blending of old movie song with the situation.
Papaassssssss...
from movie 1,2,3....a must watch movie for anyone...don't go for starcast or banner.
कीड़े दो तरह के होते हैं....
movie HUM, Amitabh showing concern for his friends life but end up explaing the 'Keeda' theory.
दारू पीने से लिवर खराब हो जाता हैं....
Movie Satte-pe-Satta, Again Amitabh under the daaru effect..repeating the same thing again n again to justify that he doesn't drink daaru.
गाड़ी घुमा लो बेटा..
Movie Omkara, Nasiruddin Shah asking the train gaurd to take a U turn.
अपुन वो कुत्ते की ढूम है, जो बारह बरस नाल्ली के अंदर डाल के, नाल्ली टेडी होती, अपुन सीधा नहीं होता!
Lawaris...heard it first time from my Maths teacher and I cosidered it a compliment for me :)
पार्ट्नर, अब बोल ही दिया है तो देख लेंगे
Sholay....such a cool and composed statement...no doubt it became the pet line of many dare-devils.
I can talk in english, i can walk in english, i can run in english....because english is a very funny language.
Namak-halal, the whole scene worth the mention here but I couldn't remember the 'cricket commentry' and how 'Bharon' become 'Barron'.
अबे चपड़-गंजू..
Can't recall the movie name..by Shot-gun Sinha in his typical style.
हा मैं...मगर वो...लेकिन मैं...क्योंकि वो...तुमने तो...सुनो तो...!!
This is improvisation, I could not imagine someone doing this better than Saif.
मेरे दो दो बाप..मेरे दो दो बाप
Gopi-Kishan, the only solo hit by Sunil shetty and here also he played the double role.
मेरी कुंडली में भी लिखा है कि मेरे हाथों एक खूनी का खून होगा.
Shayam trying to fight fire with fire in 'Hera-Pheri'.
छोटी गंगा बोल कर नाले में कुदा दिया बे..
Run..it was so natural
ये गोली देखी हैं , इतनी गोलियाँ मारूँगा कि शरीर से ज़्यादा वजन गोलियों का होगा.
I don't know anything anout this dialogue...but the life threat in a unique and logical style.
चल अपने बाप को मत समझा.
Typical akshay, in Phir Hera-Pheri. The last run-chase scene.
वो क्या है ज़रा आँख लग गयी थी.
Khakee, exceptional entry by Amitabh..so casually delivered dialogue
जहा डेंजर वहा शेखर...जहा शेखर वहा डेंजर
Akshay in Khakee, exaggerating his daring attitude
be positive yaar.
Anil kapoor, hiding his fear by reiteration of this statement although at the end he said it is his blood group.
Jara hatke dialogues:
बिज़्नेस तो आप को करना नहीं आता, सेठजी इस बिल्डिंग के आपने 5 लाख ज़्यादा माँगे होते, तब भी मैं इसे ले लेता
Amitabh in Trishul. Such a clear, straight forward and honest statement.
मैं तुम्हे भूल जाऊं, यह हो नही सकता...
तुम मुझे भूल जाओ, यह मैं होने नही दूँगा.
Sunil shetty, I guess this is the harshest statment ever made in love...more like a threat in love.
मुझे कैसे मारा, किसी को बताना मत...
नही तो लोगों का प्यार मोहब्बत से विश्वास उठ जाएगा
Akshay's death scene in Khakee...really touching.
मेरी जेब मैं पाँच फूटी कोड़ी भी नही और मैं पाँच लाख का सौदा कर रहा हूँ
Amitabh in Trishul, Amitabh is a epitome of 'Self confidence' and 'Revenge'.
टोपी संभलो दिनकर राव हवा बहुत तेज है, उड़ जाएगा
Amitabh in Agnipath frequently reminding 'Dinkar rao' of his awaited bad time in his style.
कॉलेज दे गेट के इस तरफ हम लाइफ को नचाते हैं तो दूसरी तरफ लाइफ हमे नचाती है
A real confession in the simplest of form
एक आप लोग है और एक वो थे कमीने साले
Funny side of Amitabh in Sharabi...asking for the 'Rumaal' of his beloved.
लेटे-लेटे नही, खड़े होकर बात करो
Marvellous Amitabh again trashing his friend 'Amjad Khan' for not informing him of his marriage.
सर जी आगे से राइट मत लेना...क्यूकी है ही नही
I could not understand the logic behind using this dialogue but that's the difference between the director 'Anurag Kashyap' and me.
Sam, मेरी एक तामाना है, यहाँ मिले हो, अब ज़िंदगी मैं कभी मत मिलना...
और Meddi मेरी भी एक तमन्ना दोबारा ज़िंदगी मैं एक बार ज़रूर मिलना
I bet no one can pass his college life withoug watching this movie and noticing this dialogue.
गोली वो चलते है, जो दिमाग़ नहीं चलते
Bluffmaster...following Gandhi-ji.
साले इस लाइन में मैं तुम्हारा बाप हूँ
Most excessively used dialogue of all times.
सर ज़मीन-ए-हिन्दुस्तान...अस-सलाम-वालिकुम्म
I love this one..and can't explain why.
ओ जी कमाल है..हम यहा पेशाब करने थोड़े ही आए है.
seems to be a road side dialogue and was not meant to be used in movies..but making a movie based in Delhi needs this kind of dialogues..a typical Dilli waalon ki movie.
आज भी मैं फेके हुए पैसे नही उठता
My first reaction 'Come on man..be professional...customer can deal you as he likes'. One of those dialogues which established Amitabhs angry young man image.
बेवकूफ़ और ******* में धागे भर का फ़र्क होवे है भैया....
There is a complete theory explained by Saif in this dialogue. I can remove the masked characters but do I need to??
हम जहा खड़े हो जाते है लाइन वही से शुरू होती है...
Height of arrogance....
disclaimer: Don't do it in Public places like railway stations, ticket counters etc.
इक़बाल साहब अगर एक काग़ज़ पर मोहोर नहीं लगेगी तो क्या तारा पाकिस्तान नहीं जाएगा ...
Sunny paaji...if you would have delivered this dialogue without that monotonous high pitch voice then also it would have been appreciated equally.
तू जानता है की मारना ज़रूरी है...पर मारने की आदता से बचना ज़्यादा ज़रूरी है.
Nana Patekar in Ab tak Chappan..explaining the truth behind encounter.
अरे अपने बदन पर चोट लगे तो जानवर भी रोता है...
Pankaj Kapoor...the true difference between Man & Animal. His ballistic expressions can jolt anyone.
ओये DJ.. मैं कुँवारा ही मार गया यार
So emotional....I could not remember anyone without tears in his eyes.
श्याम आए तो कह देना की छैंनु आया था.
Simplest of the dialogues...delivery was fantastic.
हमारे देश में काम ढूँढना भी एक काम है
In this list because of the bitter reality behind this simple statement.
शरत घोड़ों पर लगाई जाती है कठोर शेरों पर नही.
unique ultimatum...in english 'Don't mess with me'.
Best of three.
अम्मा..गाँव में जा कर कह देना....कप्तान शरत हार गया.
If any dialogue has affected anyone most in the world...it's this dialogue and the guy is me. The confident and honest acceptance of truth in adverse & awkward situations. I want to make it my personality trait.
एक बेटे के इश्क़ के लिए हिन्दुस्तान की तक़दीर नही बदल सकता
Actually this is the only dialogue of 'Mugal-e-Azam' which I could decipher but it really deserves to be in top three.
माँ और देश कभी बदले नही जाते.
No explanation...
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